What Gets Left Behind

Jayla Elkins, 3; Shayla Elkins, 5; Kayla Pugh, 6; Layla Pugh, 7; Markaydon Pugh, 10; Sariahh Snow, 11;
Khedarrion Snow, 6; and Braylon Snow, 5.

I have this odd, persistent obsession with things that get left behind.

The un-popped kernels at the bottom of a bowl. Fruit that ripens past its moment and is consigned to the compost bin. The hardened heel of bread that ends up in the trash can. A sock without its partner. A notebook abandoned after a few hopeful pages. A toy along the highway, thrown out of a window.  The last sliver of soap, too small to hold, that slips to the shower drain and dissolves into the sewers.  A pen that runs out of ink mid-sentence and is never picked up again. A bent photograph continuing to fade in the back of a drawer.

Small things, for sure, a microcosm of trivial loss. But I see the same pattern playing out in the macrocosm of our lives. Not with objects, but with the human beings that surround us in our hurried, smartphone obsessed society.

Hana Dehqani, 8; Reza Habashian, 7; Arya Bahadori, 9; Ali Asghar Zaeri, 8; Zahra Bahrami, 7; Ahmad Soltani, 8; Hamed Par-ashegh-nezhad, 7; Mahdis Nazari, 7

I see it in those experiencing homelessness, men and women hidden in plain sight. We rarely engage them as neighbors, having learned to quietly turn away.

I see it in children caught in crossfires of war or mass shootings, their lives crushed before they can discover their gifts or embrace their futures. Their names flicker briefly across our TV screens, then disappear into the churn of the next crisis.

Nevaeh Alyssa Bravo, 10; Jacklyn Cazares, 9; Makenna Lee Elrod, 10; Jose Manuel Flores Jr., 10; Eliahna Garcia, 10; Uziyah Garcia, 10; Xavier Lopez, 10; Jayce Carmelo Luevanos, 10

I see it in those living with mental illness or intellectual disability. Their words don’t always follow our expected patterns and their behavior unsettles us. Instead of drawing closer, we too often step back, increasing their isolation.

I see it in nursing homes, which were a regular haunt of mine during my decades of ministry. Some of the residents received visits from family and friends, but some had been virtually abandoned.

Ahmed al-Zaazou, 4: Ayloul Qaud, 7; Tahani Hafiz Barbakh, 3; Hala Abu Steita, 7; Mohammed Salah, 5;
Samir Tamraz, 1; Joud Duhair, 7

I see it in immigrants who come to our borders seeking refuge. They arrive with stories stitched together by courage and hope, yet many are confined to detention centers, held in a limbo that erodes their time and dignity. Near my home, there is a one of these for-profit facilities euphemistically called the South Texas Family Residential Center. It has been cited for its abysmal conditions.

It strikes me how ordinary all this has become for many of us. Not because it should, but because we have allowed it. Just as no one thinks twice about tossing the uneaten fruit or ignoring the last slice of bread, we have developed subtle, socially reinforced ways to overlook people without fully realizing we are doing it.

It rarely begins with malice. It begins with distance, distraction, and the quiet assumption that someone else will notice, someone else will act, someone else will care. Perhaps, more importantly, it begins with the mind-numbing regularity of violence and the innocence it leaves in its wake.

Do you know why I’ve included the series of names in this post? They are children lost to unspeakable brutality.

The first were shot by their father, Shamar Elkins, in Shreveport, Louisiana on April 19, 2026. The second are a few of more than 100 killed as America bombed a school in the Iranian town of Minab on February 28, 2026. The third is a partial list of those gunned down by 18-year-old Salvador Ramos on May 24, 2022, at the Robb Elementary School in Uvalde, Texas. The fourth is just seven (JUST SEVEN!) of the nearly 20,000 children massacred by Israel in its genocidal sweep through Gaza.

There are too many other lists. You know. I know it.

Anyway, I’m going to finish this post because I need to go out and mow our front lawn. It’s gotten kind of long from recent rain. Then tonight I’ll probably watch an inane show on one of my streaming services.

Catch you later.

Nine of the children gunned down in the Robb Elementary School massacre

Pole to Pole with Age Old, Liberating Truth

I’ve been watching Pole to Pole, a National Geographic series hosted by Will Smith. His objective intrigued me: “to travel across all seven continents, to explore the world’s most extreme environments, seeking answers to life’s important questions by stepping into the unknown.”

Episode Four finds him trekking to the Himalayan nation of Bhutan. He was there to explore the secret of happiness, famously enshrined by the Bhutanese in their concept of Gross National Happiness. You got that right. GNH, not GNP.

In one scene, Smith sits with a Buddhist monk who offers a disarmingly direct message. If we contemplate death regularly, not as a morbid obsession but as a truth we refuse to look away from, it sharpens our awareness of being alive. It makes the ordinary radiant. It turns the fleeting resource of time into something sacred.

We’ve always known this, haven’t we? It’s one of humanity’s oldest lessons, hiding in plain sight. The fact that we will die is not a curse. It is the condition that gives life its urgency and texture.

And yet, think of how much effort we’ve poured into pretending otherwise.

The pharaohs of ancient Egypt didn’t just accept mortality; they aimed to defeat it. They constructed pyramids, had their bodies mummified, and buried themselves with treasures, all to ensure that their power continued in the afterlife.

Chinese Emperor Qin’s Terracotta Army has stood for two millennia in silent formation beneath the earth. Thousands of life-sized soldiers created to guard him in the next world. Imagine the slave labor, the resources, and the sheer will it took to bring that vision into being. All of it to satisfy an “afterlife ego.”

History is rife with other examples. Roman Emperors deified themselves, casting their likenesses in marble and bronze as a desperate attempt at permanence. Medieval alchemists searched for the elixir of life, convinced that somewhere in the crucible of chemistry lay a secret that could outwit time. Ponce de Leon searched unsuccessfully for the Fountain of Youth.

Fast forward to our modern world. The demand for cosmetic surgery continues to rise, promising a veneer that masks the inevitable. Companies offer cryogenic freezing, allowing us to gamble on a future where science might reverse the irreversible. Even our language reflects our resistance to embrace death’s reality. We “pass away.” We are “no longer with us.” “Grandma is in heaven with Jesus.”

I get it. It’s profoundly unsettling to think that everything we are—our memories, our relationships, our inner worlds—will simply stop. It’s not just our fear of pain or the unknown. It’s the erasure that unnerves us.

As I watched Smith speak to that Bhutanese monk, it was clear to me. The problem isn’t death itself. It’s the energy we spend trying to outrun it.

So, even though it’s obvious, let’s say it again. Each of us will die.  Not someday in the abstract, but actually. No exception. No workaround.

The art is to make this a portal to liberation. Once we stop buffering ourselves from death, it clears the clutter and exposes what matters. Petty grievances lose their grip. Delayed dreams start to feel urgent. The people we love become more vivid, more necessary, and more present in our lives.

Contemplating death doesn’t shrink life. It enlarges it. It makes our morning coffee taste a little better. It makes the sunlight on a wall feel like a small miracle. It reminds us that the conversation we’ve been putting off might be worth having today. It prompts us to feel grateful, knowing how quickly everything can disappear.

Let the thought of your own finitude sit beside you today. Not as a threat, but as a companion. Let it moisten your appetite for the ordinary yet EXTRAORDINARY fact that you are alive RIGHT NOW.

This is not a morbid discipline. It’s a beginning.

Silent Scream at Four Corners

(Periodically, I will post reviews and comments about excellent writers I’ve met over the years.)

I’m a big fan of John RC Potter’s writing, so I was excited to open his recent novella, The General Store at Four Corners. It’s one of three pieces featured in Body Lines, a new journal published by Subtle Body Press.

I was not disappointed!

This is a tale of lust, betrayal, and violence set in the small fictional village of Four Corners, Ontario. Its timeframe jumps back and forth through a 20-year period between 1914 and 1934, but the transitions are never jarring. Potter weaves each episode into the narrative seamlessly. As usual, his eye for locale is superb. The General Store at the heart of the story, the surrounding farms, and the annual carnival all come vividly to life against a backdrop of historical events from that era.

But the real strength of this story is its cast of colorful characters. Among them are:

  • Jewel Cotton, raising her brood of children in hardscrabble poverty while enduring the violence of her alcoholic husband.
  • Hilda Judges, with her smug know-it-all attitude.
  • Mr. Burnbridges, the good-natured store owner oblivious to cuckolding.
  • Al Heidler, the mysterious and virile young man who drifts into the Burnbridges’ life, setting up a fated chain of consequences.
  • Mrs. Sharp, the fortune teller whose prognostication is tragically accurate.

At the center of it all is the main character, Beulah Burnbridges. I would be lying if I said there is anything likeable about her. With a naturalistic perspective that recalls Émile Zola or Theodore Dreiser, Potter examines every painful, deterministic force that shapes Beulah’s life. The violence of her nuclear family, her lust, her use of sex as a tool to achieve her limited social climbing—all these get examined under a clinical microscope.

I don’t intend a spoiler here, but near the climax of this saga, Beulah emits a primal shriek. She thinks it is audible until she realizes she is hearing it only in her head, an anguish that emanates from all the pain and struggle stored within her soul. Think of Munch’s The Scream.

The Epilogue of this tale is chilling, even fitting, but it is Beulah’s noiseless cry that rose off the page into my ears. I won’t forget it.

John RC Potter is an international educator from Canada who lives in Istanbul.  He has experienced a revolution (Indonesia), air strikes (Israel), earthquakes (Turkey), boredom (UAE), and blinding snow blizzards (Canada), the last being the subject of his story, Snowbound in the House of God (Memoirist). His poems, stories, essays, articles, and reviews have been published in various magazines and journals. His story, Ruth’s World, was a Pushcart Prize nominee, and his poem, Tomato Heart, was nominated for the Best of the Net Award. The author’s gay-themed children’s picture book, The First Adventures of Walli and Magoo, is scheduled for publication. He enjoys duties as the editor of the online journal Masticadores Istanbul. Website: https://johnrcpotterauthor.com

My Compulsion, My Joy

I write only because there is a voice within me that will not be stilled. – Sylvia Plath

I’ve been an author for nearly 50 years. This includes time as a reporter, a film reviewer, a feature writer, and a contributor to theological journals. I’ve also written and/or edited 20 books. Some self-published, some through Story Sanctum Publishing, and one with Westminster John Knox Press. It has been a grand journey, and it is far from over. In many ways, I feel like I’m gaining steam.

If you have a compulsion that is also your joy, you understand. It’s that thing you love to do that may require a lot of time and effort but gives you a deep sense of satisfaction. Whether it’s your vocation, your advocation, or a hobby, it never fails to bring meaning to your life.

Writing (and editing!) is this compulsion for me.

I rise between 4-4:30 every morning, grab a mug of coffee, then settle in at my laptop for the day’s challenges. I evaluate stories in my role as an editor for Story Sanctum. I work on fiction of my own. I polish blog posts before sending them off into the ocean of the Internet like a message in a bottle.

Now, with Second Shore Publishing, I will go further, helping both established and emerging writers make their dreams come true. I will do this free of charge, no matter how long it takes.

Why? Because it’s my compulsion and it brings me joy.

– Krin Van Tatenhove